Ultraseven Ep. 46: Showdown of Dan vs Seven

Directed by Toshitsugu Suzuki. Written by Shozo Uehara, Shinichi Ichikawa. Airdate August 18, 1968.

Among Earthlings, Dan’s secret identity as Ultraseven is secure. Among every other alien species, however, it appears to be a matter of public record. That turns Dan into Target #1 when the next extraterrestrial invasion plot swings by our little planet. Once again, the invaders of the week kidnap Dan before they execute their scheme. These aliens, however, have a nifty twist on the standard plan: rather than using a super weapon or a guardian giant monster against Earth, they’ve got an imitation Ultraseven! An “Imit-Ultraseven.”

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Ultraman Ginga S Ep. 8: Desperate Battle in the Sunrise

Directed by Kiyotaka Taguchi. Written by Yuji Kobayashi. Airdate Sep. 2, 2013.

The mid-show finale is a tradition in the New Generation Heroes era. Since these shows are semi-serialized, with ongoing villains and subplots, it’s natural to build to a peak midway through the run to shift the status quo, retire some characters, introduce others, and deliver a major revelation or two. Ultraman Ginga established this with a two-parter that was only a modest increase in spectacle. Ultraman Ginga S goes bigger, resulting in one of the most enjoyable action installments in the New Gen era so far. Best of all, it opens up a new avenue for a character who, until now, has been a literal device. 

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Ultraseven Ep. 45: The Saucers Have Come

Written and Directed by Akio Jissoji.1 Airdate August 11, 1968.

Our favorite lunatic artist, Akio Jissoji, is back for one last blast in the Showa era. After this, Jissoji won’t direct another Ultra television episode until 1997: “Flower” for Ultraman Tiga. For his temporary farewell, he’s brought along his usual stylistic hits that make his episodes visually rich and strange. He’s got some classical music, too. That’s become another Jissoji trademark. 

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Ultraman Ginga S Ep. 7: Activate! Operation Magnewave

Directed by Kiyotaka Taguchi. Written by Sotaro Hayashi. Airdate August 26, 2013.

Ultraman Ginga S ramps up toward its mid-season finale (followed by a two-month hiatus) with an action-filled episode that introduces a seemingly unbeatable kaiju and promises a reveal about the scheme driving Alien Chibull’s theft of Victorium Crystals. 

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Ultraman Tiga Ep. 37: Flower

Directed by Akio Jissoji. Written by Akio Jissoji, Akio Satsukawa. Airdate May 17, 1997.

Akio Jissoji returns to direct an episode of an Ultra television series for the first time since Ultraseven’s “The Saucers Have Come” — a gap of almost three decades. (He did direct Ultra Q the Movie: Legend of the Stars in 1990.) Have the years mellowed his eccentric visual style and storytelling techniques? Nope! During his break from television, Jissoji has been directing experimental short films, and he’s gotten even weirder. 

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Ultraseven Ep. 44: The Terrifying Super Ape-Man

Directed by Toshitsugu Suzuki. Written by Shozo Uehara, Shinichi Ichikawa. Airdate August 4, 1968.

After the double-tap of “Ambassador of the Nonmalt” and “Nightmare of Planet No. 4” — two of the greatest, most intelligent episodes in the entire Ultra Series — Ultraseven needed something lighter. That’s exactly what “The Terrifying Super Ape-Man” delivers. Like “Nightmare of Planet No. 4,” it takes inspiration from the recent runaway popularity of Planet of the Apes, but in a more superficial way. Rather than explore the future horrors of a human race reduced to obsolescence, just put a super-ape in the episode. Add a dash of 1930s mad scientist horror for flavor. Stir and double strain over a final Ultra fight. It’s no classy craft cocktail, but it’s a decent highball.

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Ultraman Ginga S Ep. 6: The Forgotten Past

Directed by Kiyotaka Taguchi. Written by Hisako Kurosawa. Airdate August 19, 2013.

Shepardon, the giant monster defender of the Victorians, gets its first major role in the show. Shephardon has already taken part in several battles, but now it displays real personality as a pivotal part of a story about the history of the Victorians. Since Shepardon is one of the best parts of Ultraman Ginga S — a fantastic kaiju design that combines the friendliness of a cute dog with genuine dinosaurian menace — I approve of it getting more attention. I’m also glad to have more backstory on the Victorians, though the episode doesn’t go deep enough into what may have been an extremely dark epoch in their history.

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Ultraman Tiga Ep. 36: Smile Across Space and Time

Directed by Teruyoshi Ishii. Written by Masakazu Migit, Keiichi Hasegawa. Airdate May 10, 1997.

Yazumi finally gets an episode of his own. The “guy in the chair” of GUTS, the agent who didn’t even get to go into the field until episode 23, now takes the spotlight. Aside from “One Vanishing Moment,” where he flaunted a militaristic attitude, Yazumi has always come across as the quietest, most restrained member of GUTS. Perhaps that’s why Captain Iruma kept him in the operations chair most of the time rather than fighting monsters in the field.

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Ultraseven Ep. 43: Nightmare of Planet No. 4

Directed by Akio Jissoji. Written by Shozo Uehara. Airdate July 27, 1968.

Last week, we had director Kazuho Mitsuta’s masterpiece. This week, we have director Akio Jissoji’s masterpiece: a dystopian planetary tale unlike anything in the Ultra Series before or since. A mix of The Twilight Zone, Star Trek, Planet of the Apes, and Jean-Luc Godard’s Alphaville. It’s the most brutal episode of the show, and it’s astonishing to me that it ever got on the air. The network must have given up on Ultraseven ever pulling back a younger audience, because this is an unapologetic work of adult science fiction. Children hoping for giant monster fun won’t enjoy seeing fascist firing squads mow down dozens of innocent people. 

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