Ultraseven Ep. 46: Showdown of Dan vs Seven

Directed by Toshitsugu Suzuki. Written by Shozo Uehara, Shinichi Ichikawa. Airdate August 18, 1968.

Among Earthlings, Dan’s secret identity as Ultraseven is secure. Among every other alien species, however, it appears to be a matter of public record. That turns Dan into Target #1 when the next extraterrestrial invasion plot swings by our little planet. Once again, the invaders of the week kidnap Dan before they execute their scheme. These aliens, however, have a nifty twist on the standard plan: rather than using a super weapon or a guardian giant monster against Earth, they’ve got an imitation Ultraseven! An “Imit-Ultraseven.”

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Ultraman Ginga S Ep. 8: Desperate Battle in the Sunrise

Directed by Kiyotaka Taguchi. Written by Yuji Kobayashi. Airdate Sep. 2, 2013.

The mid-show finale is a tradition in the New Generation Heroes era. Since these shows are semi-serialized, with ongoing villains and subplots, it’s natural to build to a peak midway through the run to shift the status quo, retire some characters, introduce others, and deliver a major revelation or two. Ultraman Ginga established this with a two-parter that was only a modest increase in spectacle. Ultraman Ginga S goes bigger, resulting in one of the most enjoyable action installments in the New Gen era so far. Best of all, it opens up a new avenue for a character who, until now, has been a literal device. 

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Ultraman Ginga S Ep. 7: Activate! Operation Magnewave

Directed by Kiyotaka Taguchi. Written by Sotaro Hayashi. Airdate August 26, 2013.

Ultraman Ginga S ramps up toward its mid-season finale (followed by a two-month hiatus) with an action-filled episode that introduces a seemingly unbeatable kaiju and promises a reveal about the scheme driving Alien Chibull’s theft of Victorium Crystals. 

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Ultraseven Ep. 44: The Terrifying Super Ape-Man

Directed by Toshitsugu Suzuki. Written by Shozo Uehara, Shinichi Ichikawa. Airdate August 4, 1968.

After the double-tap of “Ambassador of the Nonmalt” and “Nightmare of Planet No. 4” — two of the greatest, most intelligent episodes in the entire Ultra Series — Ultraseven needed something lighter. That’s exactly what “The Terrifying Super Ape-Man” delivers. Like “Nightmare of Planet No. 4,” it takes inspiration from the recent runaway popularity of Planet of the Apes, but in a more superficial way. Rather than explore the future horrors of a human race reduced to obsolescence, just put a super-ape in the episode. Add a dash of 1930s mad scientist horror for flavor. Stir and double strain over a final Ultra fight. It’s no classy craft cocktail, but it’s a decent highball.

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Ultraman Ginga S Ep. 6: The Forgotten Past

Directed by Kiyotaka Taguchi. Written by Hisako Kurosawa. Airdate August 19, 2013.

Shepardon, the giant monster defender of the Victorians, gets its first major role in the show. Shephardon has already taken part in several battles, but now it displays real personality as a pivotal part of a story about the history of the Victorians. Since Shepardon is one of the best parts of Ultraman Ginga S — a fantastic kaiju design that combines the friendliness of a cute dog with genuine dinosaurian menace — I approve of it getting more attention. I’m also glad to have more backstory on the Victorians, though the episode doesn’t go deep enough into what may have been an extremely dark epoch in their history.

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Ultraman Tiga Ep. 36: Smile Across Space and Time

Directed by Teruyoshi Ishii. Written by Masakazu Migit, Keiichi Hasegawa. Airdate May 10, 1997.

Yazumi finally gets an episode of his own. The “guy in the chair” of GUTS, the agent who didn’t even get to go into the field until episode 23, now takes the spotlight. Aside from “One Vanishing Moment,” where he flaunted a militaristic attitude, Yazumi has always come across as the quietest, most restrained member of GUTS. Perhaps that’s why Captain Iruma kept him in the operations chair most of the time rather than fighting monsters in the field.

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Ultraman Tiga Ep. 35: Sleeping Beauty

Directed by Teruyoshi Ishii. Written by Chiaki J. Konaka. Airdate May 3, 1997.

The previous episode left open questions about the alien entity responsible for the assault on the Terran Peace Consortium’s summit in the Cliomos Islands. This episode picks up soon afterward. The TPC East Asia Base is investigating an alien body in cryostasis (codename: Sleeping Beauty) that was transferred from the West Asia Base. The alien — which resembles a typical “gray” but with green skin — has been in stasis for more than two decades. An alloy discovered near it is identical to the material of the bioweapon used in the attack on the TPC summit. 

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Ultraman Ginga S Ep. 4: The Meaning of Strength

Directed by Yoshikazu Ishii. Written by Aya Takei. Airdate August 6, 2013.

Although Sho is the co-lead of Ultraman Ginga S, this is the first episode to dig beneath his tough-guy loner exterior. Sho is a fundamentally different person from the gregarious Hikaru, and that difference risks turning him unlikable, even with two young sidekicks, Lepi and Sakuya, looking up to him. Sho needs a few dashes of doubt and maybe a major defeat to leaven his stubbornness.

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Ultraman Tiga Ep. 33: Vampire City

Directed by Hirochika Muraishi. Written by Keiichi Hasegawa. Airdate April 19, 1997.

Ultraman Tiga is doing another horror episode, this time with a different brand of fear: the ‘90s noir vampire flick. Welcome back to the days of leather-clad cool vampires who do backflips and make their lairs in deserted nightclubs. The episode goes all-in with a trendy vampire tale, and pulls it off, making for a superior Tiga episode to pick for Halloween than the show’s actual, bespoke Halloween episode

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Ultraman Ginga S Ep. 1: The Power to Open the Way

Directed by Koichi Sakamoto. Written by Yuji Kobayashi. Airdate July 15, 2014.

It’s time for a refresh of Ultraman Ginga that takes the renewed public interest in the Ultra Series and boosts it. The new creative team — showrunners Yuji Kobayashi and Takao Nakano, series director Koichi Sakamoto — has the important job of impressing the viewers who came from the previous show with something bigger, wilder, and better-budgeted. 

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