Ultraman Tiga Ep. 31: GUTS Base Under Attack

Directed by Tsugumi Kitaura. Written by Hideyuki Kawakami. Airdate April 5, 1997.

An alien lifeform capable of imitating humans and absorbing their abilities infiltrates the GUTS base, posing a potential threat to all life on Earth. In other words, Ultraman Tiga is doing its own riff on the science-fiction classics The Invasion of the Body Snatchers (both the ‘56 and ‘78 versions) and John Carpenter’s The Thing. The premise also makes for a convenient money-saving “bottle show” that sticks to the standing TPC headquarters sets and doesn’t require any guest stars.

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Ultraseven Ep. 37: The Stolen Ultra Eye

Directed by Toshitsugu Suzuki. Written by Shinichi Ichikawa. Airdate June 16, 1968.

As the prelude to another dastardly alien attack on Earth, an attractive young woman deceives the Ultra Guard and steals Dan’s transforming device. We’ve seen something like this beforemore than once — but this episode features an interesting twist in how the aliens operate that shows the developing dramatic maturity of Ultraseven

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Ultraman Ginga Ep. 11: The Future of Yours

Directed by Yuichi Abe. Written by Keiichi Hasegawa. Airdate Dec. 18, 2013.

We’ve reached the finale of the first New Generation Heroes show. It’s been a short journey: eleven episodes plus a special. We’ve spent most of that time hanging out at an abandoned elementary school, watching Ultraman Ginga and his allies fight monsters in a nearby field. It’s often been glaringly underfunded, even impoverished. The themes are uneven. The drama is frequently juvenile. But this last episode, the resolution of the Dark Spark Saga and confrontation with the Ruler of the Dark, is absolutely … pretty good. Good enough to keep the Ultra Series moving forward in this new era. That’s what Ultraman Ginga was trying to achieve in the first place, so congratulations.

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Ultraman Tiga Ep. 30: The Monster Zoo

Directed by Masaki Harada. Written by Kazunori Saito. Airdate March 29, 1997.

Rena asked Daigo out at the height of the apocalyptic events of “The Devil’s Judgment.” This episode opens on the apparent outcome of that: the two are on a date at a rural zoo on a pleasant sunny day. A zoo seems the right weekend getaway for them. (Although the two of them making jokes that the cows resemble Horii is a touch rude.) Anyway, because this is Ultraman Tiga, Rena and Daigo’s date is interrupted when a giant monster bursts through the zoo grounds.

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Ultraseven Ep. 36: A Lethal 0.1 Seconds

Directed by Samaji Nonagase. Written by Hiroyasu Yamaura. Airdate June 9, 1968.

Samaji Nonagase is back directing a suspense-filled episode that goes full ‘60s spy-fi. This is as close as Ultraseven gets to turning into a straightforward action show. There’s a special effects finale where Seven battles an alien ship, but the actual peak of the action is the lethal fraction of a second in the title — and it’s a duel of human vs. human, revolver vs. revolver. 

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Ultraman Ginga Ep. 10: Darkness and Light

Directed by Yuichi Abe. Written by Akira Tanizaki. Airdate Dec. 11, 2013.

The theme that Ultraman Ginga has prominently played up over its run is the pursuit of personal dreams and how important it is to have a dream and try to live it. That’s a good crowd-tested message for an adventure program, plus it’s effective with younger viewers. 

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Monster Theater: The Son of Kong (1933)

Directed by Ernest B. Schoedsack. Written by Ruth Rose. Starring Robert Armstrong, Helen Mack, Frank Reicher, John Marston.

The Son of Kong is a semi-forgotten film. Nobody writes much about it. People don’t watch King Kong and then immediately think, “Hey, now let’s watch Son of Kong.” Yet it’s a direct sequel, made by most of the same crew, with several returning cast members. It followed fast on the heels of the original, reaching theaters a mere six months later. Why isn’t it better known to the public?

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Ultraman Tiga Ep. 29: Memory of a Pale Night

Directed by Masaki Harada. Written by Keiichi Hasegawa. Airdate March 22, 1997.

Shinjoh is going on an important test flight, so Daigo is stuck taking Shinjoh’s sister Mayumi to see a show from current pop sensation, Maya Cruz. (It’s not a date, he insists, making sure Rena hears this.) Daigo admits that he doesn’t even know who this Maya Cruz is, which shocks Horii, a Cruz superfan. Of course Horii is a superfan of the big pop star of the moment. Horii’s basically twelve years old and we love him for that. 

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Ultraseven Ep. 35: Terror on the Moon

Directed by Toshitsugu Suzuki. Written by Shinichi Ichikawa. Airdate June 2, 1968.

Captain Kiriyama’s close friend in the Terran Defense Force, Kurata (Hiroshi Minami), makes his second appearance on Ultraseven after his introduction in “The Man Who Came From V3.” That story put him at odds with Kiriyama in an ethical bind over the best way to handle an alien menace. This episode has the two friends working as a team from the start as they head into space to confront the consequences of one of their past missions. 

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Ultraman Ginga Ep. 9: The Jet Black Ultra Brothers

Directed by Yoshikazu Ishii. Written by Kenichi Araki. Airdate Dec. 4, 2013.

The Ultraman Ginga team, aware they have only a few episodes remaining, goes all-out with an action-crammed half hour. Or as all-out as the budget permits. They also pack in some silly comedy and a few key revelations to set up the finale. It’s a scattershot episode, with six different giant combatants and all the major characters jostling for screen time, but it’s fast-moving and lively. I prefer that to some of the drab earlier outings.

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