Return of Ultraman Ep. 2: Takkong’s Great Counterattack

Directed by Ishiro Honda. Written by Shozo Uehara. Airdate April 9, 1971.

This is excellent follow-up to the premiere episode does exactly what’s necessary to deepen the show’s dramatic approach: it gives its new hero the space to completely fail. As a neophyte member of MAT and a man with no high-tech monster-fighting combat experience, Hideki Go ought to take time to ease into his new duties and learn from his captain and comrades. Instead, Go’s enhanced Ultra abilities (even when in human form) drive him to hubris and foolhardiness that endanger others and temporarily get him fired. Fired from MAT by Captain Kato and fired by Ultraman, who refuses to let Go transform. 

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Return of Ultraman Ep. 1: All Monsters Attack

Directed by Ishiro Honda. Written by Shozo Uehara. Airdate April 2, 1971.

Return of Ultraman explodes onto the scene with one of the best premiere episodes of the Showa era — and possibly of the entire franchise. The episode covers all the necessary setup for a debut: it establishes the defense team, introduces the hero, merges the hero with an Ultra, stages a big kaiju fight, has the hero join the defense team, and generally defines its world. The episode accomplishes all this with a natural flow that never seems rushed or overstuffed. It also features terrific action and a complete emotional journey for its new hero, Hideki Go, race car driver and soon-to-be member of the defense team, establishing the show’s slant toward human drama. 

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Toku Theater: Rodan (1956)

Directed by Ishiro Honda. Written by Takeshi Kimura and Takeo Murata. Starring Kenji Sahara, Yumi Shirakawa, Akihiko Hirata.

Rodan is where Toho Studios’ science-fiction boom truly takes flight. The original 1954 Godzilla was an enormous success, but the rushed and less imaginative sequel, Godzilla Raids Again (1955), made money without leaving much of an impression on audiences or the Japanese film industry. Godzilla wouldn’t return to movie screens for seven years.

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Toku Theater: Latitude Zero (1969)

Directed by Ishiro Honda. Written by Ted Sherdeman and Shinichi Sekizawa. Starring Joseph Cotten, César Romero, Richard Jaeckel, Akira Takarada, Patricia Medina.

Latitude Zero is best known as the last science-fiction film that special effects wizard Eiji Tsuburaya worked on before his death. As final bows for a VFX artist go, it’s quite the spectacle: a science-fantasy epic with super-submarine duels, an underwater utopian city, giant rats and bats, a winged lion, laser-firing gloves, jet packs, massive pyrotechnics that blow up entire islands, and large matte painting vistas. Most of the effects are fantastic, and there are so many of them. The film is wall-to-wall with Tsuburaya’s trademark style. 

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