Ultraman Ginga Ep. 7: The Closed World

~ Ryan Harvey

Directed by Tomoo Haraguchi. Written by Keiichi Hasegawa. Airdate Nov. 20, 2013.

After several months on hiatus, Ultraman Ginga returns to the air, ready to reignite interest for its remaining episodes and kick off the arc that will carry it to its conclusion. It does this by having its hero, Hikaru Raido, bravely … sit down in a chair and recount the events of the previous episodes with video clips.

In other words, this is that most feared entity in episodic television: a clip show. 

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Ultraman Tiga Ep. 26: The Rainbow Monsterland

~ Ryan Harvey

Directed by Hirochika Muraishi. Written by Masakazu Migita. Airdate March 1, 1997.

When it comes to giant monster media, I am a forgiving soul. You don’t have to do much to make me happy. Most Ultra show episodes manage to reach the minimum for the entertainment I crave. An episode like “The Rainbow Monsterland,” which is unremarkable in almost every way, tempts me to give it a passing rating of “Average” because it meets the minimum. There are giant monsters — two of them, one a welcome returnee — and they fight. Ultraman Tiga shows up to challenge the winner, while the GUTS members have their own adventure on the ground. This is what I’m looking for in an episode of this show, so I should be happy.

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Ultraman Ep. 37: A Little Hero

~ Ryan Harvey

Directed by Kazuho Mitsuta. Written by Tetsuo Kinjo. Airdate March 26, 1967.

Friendly monster Pigmon debuted in “The Monster Anarchy Zone,” Ultraman’s first classic episode. The kids who watched the show loved the little creature. It was natural for Pigmon to return, even though the monster died sacrificing itself in its first appearance. With the series’ best writing-directing team at the helm — Tetsuo Kinjo and Kazuho Mitsuta — Pigmon’s return engagement is one of the most emotionally charged episodes. It also sets up the show’s upcoming conclusion, which raises heavy questions about the whole premise of Ultraman.

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Happy 60th Birthday to the Ultra Series

~ Ryan Harvey

Today is the day. Sixty years ago on this exact date, January 2, television viewers in Japan could tune their sets to the Tokyo Broadcasting System and see the first episode of a new special-effects program: Ultra Q, the creation of visual effects wizard Eiji Tsuburaya. The first episode, “Defeat Gomess!”, featured a Godzilla-like monster emerging from a tunnel excavation project to battle a bird beast from legends. Audiences loved it, and they kept tuning in to Ultra Q in huge numbers for the rest of its run.

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Ultraseven Ep. 32: The Strolling Planet

~ Ryan Harvey

Directed by Samaji Nonagase. Written by Masahiro Yamada and Shozo Uehara. Airdate May 12, 1968.

A mysterious object is heading toward Earth. When Dan, Furuhashi, and Amagi investigate in the Ultra Hawk 1, they discover an asteroid one kilometer in diameter that’s sending out disruptive electromagnetic waves. An energy blast from the asteroid causes the Ultra Hawk to crash, trapping the three UG members on the surface of what they discover is a time bomb targeting Terran Defense Force HQ. Unfortunately, those electromagnetic waves prevent the trio from communicating with the rest of the Ultra Guard and make it impossible for Dan to change into Ultraseven — which might come in handy since there’s also a giant monster wandering around the deadly asteroid.

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Ultraman Ginga Mid-Season Special: Monster Competition

~ Ryan Harvey

Directed by Yuichi Abe. Written by Akira Tanizaki. Released Sep. 7, 2013.

Ultraman Ginga was planned to start with a six-episode run, followed by a hiatus, and then five more episodes. After airing episode 6, the show wouldn’t return to its regular weekly schedule for three months. In between, Tsuburaya Pro released a 44-minute special to theaters, paired with an animated episode of Mega Monster Battle Ultra Rush to push the running time to feature length. This Ultraman Ginga Theater Special would later be shortened to a 25-minute episode, “Monster Competition,” to slot between episodes 6 and 7 for future broadcasts, streaming, and home video releases. I’m looking at the 25-minute version here, since the theatrical version is padded with recaps and previews of future episodes.

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Ultraman Tiga Ep. 25: The Devil’s Judgment

~ Ryan Harvey

Directed by Hirochika Muraishi. Written by Chiaki J. Konaka. Airdate Feb. 22, 1997.

This sequel to “The Devil’s Prophecy” expands and improves on the original in every way. This is the episode Chiaki J. Konaka was destined to write: a religious-themed horror epic. We’ve had horror on Ultraman Tiga before, such as “The Fog Is Coming,” but this apocalyptic tale exists on a higher plane. It’s a powerful character study for Iruma, shows GUTS operating at their best as a team, delivers a hopeful message about human unity in the midst of terrifying times, peaks in a thrilling battle scene, and even nudges Rena and Daigo’s romantic relationship to the next stage. The best episode of Ultraman Tiga yet.

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Ultraman Ep. 36: Don’t Shoot, Arashi!

~ Ryan Harvey

Directed by Kazuho Mitsuta. Written by Masahiro Yamada. Airdate March 19, 1967.

Science Patrol Member Daisuke Arashi is one of the character templates of the Ultra Series: the action-oriented, shoot-first defense team member who’s always ready to rumble with the monster of the week, whether it’s a smart move or not. This archetype has shown up many times since. The action-guy In Ultraseven, Furuhashi, is even played by the same actor who plays Arashi, Sandayu Dokumamushi. Defense teams need a person like this to balance the more peaceful and utopian approach the shows often take. There has to be someone around to say, “Let’s just shoot the damn thing!” even if that tactic rarely works. And poor Arashi has so often been wrong about shooting first.

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Ultraseven Ep. 31: Flower Where the Devil Dwells

~ Ryan Harvey

Directed by Toshitsugu Suzuki. Written by Shozo Uehara. Airdate May 5, 1968.

Ultraseven takes another big swing at exploring new science fiction territory. Drawing inspiration from the 1966 film Fantastic Voyage, our hero Ultraseven reverses his usual tactics and shrinks to face a microscopic but deadly enemy within the strange battlefield of the human body. 

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