Category: Return of Ultraman

Return of Ultraman Ep. 3: The Monster Realm of Terror

~ Ryan Harvey

Directed by Masanori Kakehi. Written by Shozo Uehara. Airdate April 16, 1971.

After two episodes made under the guidance of Ishiro Honda, arguably the greatest director of kaiju cinema in history, Return of Ultraman starts to settle into its regular routine of human-focused drama and more realistic monsters. (A loose definition of “realistic,” admittedly. Terrestrial kaiju, rather than aliens.) How does it go? I think it goes well. Audiences at the time, however, did not. I’ll get to that.

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Return of Ultraman Ep. 2: Takkong’s Great Counterattack

~ Ryan Harvey

Directed by Ishiro Honda. Written by Shozo Uehara. Airdate April 9, 1971.

This excellent follow-up to the premiere episode does exactly what’s necessary to deepen the show’s dramatic approach: it gives its new hero the space to completely fail. As a neophyte member of MAT and a man with no high-tech monster-fighting combat experience, Hideki Go ought to take time to ease into his new duties and learn from his captain and comrades. Instead, Go’s enhanced Ultra abilities (even when in human form) drive him to hubris and foolhardiness that endanger others and temporarily get him fired. Fired from MAT by Captain Kato and fired by Ultraman, who refuses to let Go transform. 

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Return of Ultraman Ep. 1: All Monsters Attack

~ Ryan Harvey

Directed by Ishiro Honda. Written by Shozo Uehara. Airdate April 2, 1971.

Return of Ultraman explodes onto the scene with one of the best premiere episodes of the Showa era — and possibly of the entire franchise. The episode covers all the necessary setup for a debut: it establishes the defense team, introduces the hero, merges the hero with an Ultra, stages a big kaiju fight, has the hero join the defense team, and generally defines its world. The episode accomplishes all this with a natural flow that never seems rushed or overstuffed. It also features terrific action and a complete emotional journey for its new hero, Hideki Go, race car driver and soon-to-be member of the defense team, establishing the show’s slant toward human drama. 

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Return of Ultraman: An Introduction

~ Ryan Harvey

Eiji Tsuburaya intended to conclude the Ultra Series with Ultraseven. Tsuburaya Productions moved on to new science fiction and fantasy programs, such as Mighty Jack and Operation Mystery. These shows were popular with critics but drew smaller audiences than the Ultra trilogy. Eiji Tsuburaya began developing a concept for a new Ultraman show, sketching an outline for a program titled Return of Ultraman. 

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