Tag: Great

Ultraseven Ep. 11: Fly to Devil Mountain

~ Ryan Harvey

Directed by Kazuho Mitsuta. Written by Tetsuo Kinjo. Airdate Dec. 10, 1967.

Captain Kiriyama sends the Ultra Guard to investigate a series of unexplained deaths, mostly of young vacationers, around Mount Iwami. While Dan and Soga are scouting the area, the alien raygun used on the victims zaps Dan, apparently killing him. We know Dan isn’t really dead — he’s the lead of the show, after all — but this opening immediately moves the episode into new territory. The series protagonist is out of the action, and the Ultra Guard has to figure out what happened without him until the finale, when we know that Dan turns into Ultraseven and squares off against the alien menace.

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Ultra Q Ep. 16: Garamon Strikes Back

~ Ryan Harvey

Directed by Samaji Nonagase. Written by Tetsuo Kinjo. Airdate April 17, 1966.

At this point in the timeline of the Ultra universe, the people of Tokyo have got to be fairly terrified, right? In the past few months, their city has almost been destroyed by 1) a humongous alien floating blob that nearly drained all of Tokyo’s energy; 2) a giant penguin-walrus thingy that brought along its own Ice Age; and now 3) multiple alien constructs half the size of Tokyo Tower that look like frazzled Pokémon characters with skeletal hands and legs. 

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Ultraman Tiga Ep. 6: Second Contact

~ Ryan Harvey

Directed by Kyota Kawasaki. Written by Chiaki J. Konaka. Airdate Oct. 12, 1996.

The first episode centered on Horii, GUTS’s resident scientist and comedy character. Like Ide from Ultraman, Horii is much more than just “the funny guy” in the ensemble. He shines in this episode as he tries to solve a monster problem that he has a deep personal connection to. Add in a cool kaiju, Gazort — one of the most memorable creatures to debut in the show — and you have the best episode of Ultraman Tiga so far. 

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Ultra Q Ep. 14: Tokyo Ice Age

~ Ryan Harvey

Directed by Samaji Nonagase. Written by Masahiro Yamada. Airdate April 3, 1966.

The most terrifying monster of all has arrived: climate change! Yes, scientists already knew about this encroaching global threat in 1966 and were sounding the alarm bells. They didn’t, however, warn that melting Antarctic ice combined with nuclear power plant accidents would force the deep-freeze monster Peguila north to wreck wintry havoc! Would more people have paid attention if they did? I think so.

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Ultraman Tiga Ep. 5: The Day When the Monster Appeared

~ Ryan Harvey

Directed by Kyota Kawasaki. Written by Chiaki J. Konaka. Airdate Oct. 5, 1996.

Ultra warriors tend to blow up their monster opponents or fly them out to space to dispose of them. But what about the monsters they defeat that leave behind massive carcasses on land? “The Day When the Monster Appeared” takes a look at the disposal operation for one of these dead kaju — although this creature washed ashore rather than being a leftover after a fight with an Ultra.

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Ultraseven Ep. 9: Operation Android Zero

~ Ryan Harvey

Directed by Kazuho Mitsuta. Written by Shozo Uehara. Airdate Nov. 36, 1967.

A small-scale episode, but that doesn’t mean it isn’t exciting. The devious alien of the week may not have a plan that will conquer the world — although he believes it will — but it’s a vile plan with disturbing relevance to the current day. All the action remains at human size with no giant monsters and no super-sized Ultraseven, but it’s superbly staged, paced, and shot. At times, it feels like a live-action version of a Batman: The Animated Series episode where Batman has to take down a villain who builds children’s toys that are actually lethal devices. 

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Ultraman Ep. 12: Cry of the Mummy

~ Ryan Harvey

Directed by Hajime Tsuburaya. Written by Keisuke Fujikawa. Airdate Oct. 2, 1966.

Another winner of an episode, the third in a row. We have a new story archetype to explore: the archeological adventure. The mummy of the title isn’t a traditional Egyptian mummy, although it has tomb wrappings, but a mysterious, possibly supernatural creature from prehistoric Japan. As a nice surprise, the Mummy Man doesn’t end up enlarging into the episode’s giant monster. No, there’s a much more impressive kaiju waiting in the wings to fill that role.

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Ultraman Ep. 10: The Mysterious Dinosaur Base

~ Ryan Harvey
Godzilla vs. Ultraman in The Mysterious Dinosaur Base

Directed by Kazuho Mitsuta. Written by Tetsuo Kinjo. Airdate Sep. 18, 1966.

Ultraman vs. Godzilla! That’s it, that’s the review. Or as much a review as most people will need. 

Technically, Ultraman’s kaiju foe isn’t Godzilla. It’s a new monster named Jirahs (sometimes spelled Jirass). But … come on, it’s just a Toho Godzilla costume with a smattering of green paint and a neck frill. The frill eventually gets ripped off, making it even clearer you’re watching Ultraman vs. Godzilla. Using the Godzilla costume was a cost-saving maneuver, but nobody is going to complain about watching these titans of tokusatsu cross IP boundaries for a deathmatch.

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Ultraman Tiga Ep. 1: Inheritance of Light

~ Ryan Harvey
Ultraman Tiga Inheritance Light Ultra Statues

Directed by Shingo Matsubara. Written by Masakazu Migita. Airdate Sep. 7, 1996.

The first episode of an Ultra show has a heavy burden. It must establish the global situation, introduce a new defense team, merge the human hero with the Ultra Warrior, and then have enough time left over to celebrate with the action goodies. “Inheritance of Light” is one the best premiere episodes thanks to its efficiency, action, and visual effects that get the job done. It’s an impressive start, especially considering how fast the show had to come together. For viewers who may not have tuned into an Ultra show since the 1970s, Ultrman Tiga’s first episode was a reminder of why they loved Ultraman in the first place.

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Ultraman Ep. 7: The Blue Stone of Baradhi

~ Ryan Harvey

Directed by Samaji Nonagase. Written by Tetsuo Kinjo and Samaji Nonagase. Airdate August 28, 1966.

We pop out of the slump of middling episodes with a mini-epic that sends the Science Patrol to a lost city in the Middle East and expands upon the mythos of the Ultras. The mixture of 1930s pulp adventure and giant monster movie makes for a stand-out half hour. I also just enjoy it when an Ultra show sends its defense team outside of Japan to soak up some different backdrops.

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