Ultraseven Ep. 6: Dark Zone

Directed by Kazuho Mitsuta. Written by Bunzo Wakatsuki. Airdate Nov. 5, 1967.

For the first time, and certainly not the last, an episode of Ultraseven scrutinizes the ethics of the operations of the Terran Defense Force and the Ultra Guard. The featured alien race, Alien Pegassa, doesn’t want to conquer Earth. They only want survival, but that may require taking drastic steps against Earth. Earth faces a similar choice with Pegassa, creating an unwinnable situation for both sides that has echoes of the Cold War without making explicit reference to it. Neither the Earthings nor Alien Pegassa ultimately show their best sides in this showdown.

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Ultraseven Ep. 5: Vanished Time

Alien Vira in Ultraseven episode Vanished Time

Directed by Hajime Tsuburaya. Written by Akihiko Sugano. Airdate Oct. 29, 1967.

In the most adult-oriented and serious episode yet, another alien race plots to infiltrate TDF’s Far East Base in human disguise and blow up something to make way for their invasion. We’ve seen this ploy already in “Secret of the Lake” and “Max, Respond.” But this time the invaders have a more insidious scheme, which is to sow suspicion in the Ultra Guard to trick them into believing Dan is an alien traitor in disguise. That way the real infiltrator can escape suspicion and remove Ultraseven as an obstacle. (All alien races seem to be able to immediately recognize that Dan isn’t an Earthling.) 

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Ultra Q Ep. 8: Terror of the Sweet Honey

Directed by Koji Kajita. Written by Tetsuo Kinjo. Airdate Feb. 20, 1966.

Another forest-and-giant-monster story from writer Tetsuo Kinjo, following “Goro and Goro” and “S.O.S. Mount Fuji.” I’m unsure why TBS decided to air this right after “S.O.S. Mount Fuji,” considering the similarities, but the network likely was only thinking of front-loading Ultra Q with as many giant monster episodes as possible. From a big rock monster in the woods to a big mole monster in the woods, if that’s what draws the viewers… 

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Ultra Q Ep. 7: S.O.S. Mount Fuji

Directed by Toshihiro Iijima. Written by Tetsuo Kinjo and Toshihiro Iijima. Airdate Feb. 13, 1966.

Mount Fuji has not erupted in over 250 years … and that can only mean another major eruption is imminent. But since this is the world of Ultra Q, we won’t witness any normal eruption. Instead, we’re going to see a monster formed from a conglomeration of igneous rocks battle a “Japanese Tarzan.” Why do anything normal when you can make good TV instead?

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Ultra Q Ep. 5: Peguila Is Here!

Peguila emerges over a ridge

Directed by Samaji Nonagase. Written by Masahiro Yamada. Airdate Jan. 30, 1966.

Here’s a change of scenery, shifting from urban Tokyo to the desolate wastes of Antarctica. There’s another change, which is that Jun is the only member of the regular or semi-regular cast to appear. Without Yuriko and Ippei around to lighten the mood, this is the first episode to completely bypass humor — appropriate for a bleak, tense story set in one of the most hostile environments on Earth.

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Ultra Q Ep. 3: The Gift From Space

Directed by Hajime Tsuburaya. Written by Tetsuo Kinjo. Airdate Jan. 16, 1966.

We have the Ultra series’ first alien creature, a monster Martian slug, which is also the first fully original kaiju design seen on the show. Resident scientific genius Professor Ichinotani (Ureo Egawa) makes his debut. There’s a freaky theme about humanity intruding where we’re not wanted. And Jun gets into a fistfight with a thief dressed up to audition for a Yakuza gangster flick. Best episode so far!

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Ultraman Ep. 2: Shoot the Invader

shoot-the-invader

Written and Directed by Toshihiro Iijima.* Airdate July 24, 1966.

The second Ultraman episode aired, although the first shot, starts with comic character Ide breaking the fourth wall to address the TV audience. He wants to explain how he got his black eye. We flashback to hear the story — which has almost nothing to do with Ide’s black eye and everything to do with the first full alien invasion of the Ultra Series. These invasions would happen with some, uhm, frequency throughout the rest of the franchise. The fourth-wall breaking is not as common, but Ultraman is already training its viewers to expect the unexpected.

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Ultra Q Ep. 1: Defeat Gomess!

Directed by Hajime Tsuburaya. Written by Toshihiro Ijima (writing as Kitao Senzoku). Airdate Jan. 2, 1966.

It’s the first Sunday night of a new year. You switch on the TV at 7 p.m. to the Tokyo Broadcasting System to check out the premiere of a new program from that special effects guy who does those monster flicks. You hear the sounds of eerie groaning and metallic squealing as mysterious swirls coalesce into the title “Ultra Q.” Then comes the deep, Serling-esque voice of Koji Ishizaka…

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