Ultra Q Ep. 1: Defeat Gomess!

Directed by Hajime Tsuburaya. Written by Toshihiro Ijima (writing as Kitao Senzoku). Airdate Jan. 2, 1966.

It’s the first Sunday night of a new year. You switch on the TV at 7 p.m. to the Tokyo Broadcasting System to check out the premiere of a new program from that special effects guy who does those monster flicks. You hear the sounds of eerie groaning and metallic squealing as mysterious swirls coalesce into the title “Ultra Q.” Then comes the deep, Serling-esque voice of Koji Ishizaka…

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Ultra Q: An Introduction

My plan for these show introductions is to keep them short(ish). This is one of the exceptions. As the launch site for a mammoth franchise, Ultra Q demands a deeper look into its background and an introduction to several of the key figures in the history of the franchise. And I’m still going to have to skim over a lot. 

My succinct description of Ultra Q for newcomers is “The Twilight Zone meets Godzilla meets The X-Files.” That still isn’t quite right — once you see an episode like “Kanegon’s Cocoon,” the wheels of categorization fly right off — but it positions Ultra Q in a succession of genre archetypes that makes sense.

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Welcome to The Ultra Project

Greetings, residents of Earth! My name is Ryan, and if you want to know more about me and my writing, please visit my other site and maybe buy my book while you’re there. If you’re on this site, you’ve found the space where I take a journey through the long-running Ultra Series (a.k.a. the Ultraman series), a Japanese science-fiction and fantasy franchise that started in 1966 and is still zooming along today. 

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