Ultraman Ep. 11: The Rascal From Outer Space

Directed by Kazuho Mitsuta. Written by Tatsuo Miyata. Airdate Sep. 25, 1966.

The first time I watched Ultraman all the way through, “The Rascal From Outer Space” rewired my brain. The episode was so bonkers, so bizarre, so absurdly comic, I couldn’t believe what I was watching. Since I hadn’t seen any other Ultra shows — they were unavailable in North America at the time — I didn’t know this comic nuttiness was a series tradition. I hadn’t yet watched Ultra Q episodes like “Grow Up! Little Turtle” and “Kanegon’s Cocoon,” nor was I aware of the lunatic world of Ultraman Taro. Still, I was certain I was discovering a key part of the franchise, something essential about it, with “The Rascal From Outer Space.”

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Ultra Q Ep. 12: I Saw a Bird

Directed by Harunosuke Nakagawa. Written by Masahiro Yamada. Airdate March 20, 1966.

The simplistic title may sound like a children’s story. Which it is. But it’s not an ironic fairy tale like the hyper-looney “Grow Up! Little Turtle.” “I Saw a Bird” is a giant monster tale from the perspective of a child. The kaiju element is downplayed in favor of a bittersweet fable about a lonely boy and his bird. 

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Ultraseven Ep. 7: Space Prisoner 303

Alien Quraso about to kill a gas station attendant in Ultraseven episode "Space Prisoner 303.)

Directed by Toshitsugu Suzuki. Written by Tetsuo Kinjo. Airdate Nov. 12, 1967.

Another hostile alien has come to Earth. Not to conquer, just to kill. An alien murderer from an otherwise peaceful race has escaped from a prison on its homeworld. Now it’s landed on Earth to guzzle gasoline, strangle a few innocent people, and find another escape route before it’s caught.

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Ultraman Ep. 10: The Mysterious Dinosaur Base

Godzilla vs. Ultraman in The Mysterious Dinosaur Base

Directed by Kazuho Mitsuta. Written by Tetsuo Kinjo. Airdate Sep. 18, 1966.

Ultraman vs. Godzilla! That’s it, that’s the review. Or as much a review as most people will need. 

Technically, Ultraman’s kaiju foe isn’t Godzilla. It’s a new monster named Jirahs (sometimes spelled Jirass). But … come on, it’s just a Toho Godzilla costume with a smattering of green paint and a neck frill. The frill eventually gets ripped off, making it even clearer you’re watching Ultraman vs. Godzilla. Using the Godzilla costume was a cost-saving maneuver, but nobody is going to complain about watching these titans of tokusatsu cross IP boundaries for a deathmatch.

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Ultra Q Ep. 11: Balloonga

The giant form of Balloonga floats over Tokyo. Tokyo tower is visible, showing the creature's immense size.

Directed by Samaji Nonagase. Written by Kunio Torami. Airdate March 13, 1966.

Another giant monster episode, but with a difference. Rather than a traditional rampaging kaiju tale, “Balloonga” takes an approach that borders on cosmic horror. It’s a dark turn for the show, with a fatalistic mood and gloomy aura. It’s highly effective for most of the running time, but the finale doesn’t match what the rest of the story promises. 

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Ultraseven Ep. 6: Dark Zone

Directed by Kazuho Mitsuta. Written by Bunzo Wakatsuki. Airdate Nov. 5, 1967.

For the first time, and certainly not the last, an episode of Ultraseven scrutinizes the ethics of the operations of the Terran Defense Force and the Ultra Guard. The featured alien race, Alien Pegassa, doesn’t want to conquer Earth. They only want survival, but that may require taking drastic steps against Earth. Earth faces a similar choice with Pegassa, creating an unwinnable situation for both sides that has echoes of the Cold War without making explicit reference to it. Neither the Earthings nor Alien Pegassa ultimately show their best sides in this showdown.

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Ultraman Ep. 9: Lightning Operation

Directed by Samaji Nonagase. Written by Masahiro Yamada. Airdate Sep. 11, 1966.

A good Ultra fight finale can do a lot to salvage an otherwise mediocre episode. Ultraman’s wrestling match with monster-of-the-week Gabora (orGavora as the Mill Creek subtitles spell it) is tough and agile. A good deal of the credit for its success goes to performers Bin Furyua in the Ultraman costume and the legend himself, Hauro Nakajima, in the Gabora costume. Nakajima was the first person to put on the Godzilla suit, and he played the monster for almost 20 years. I believe he’s the best suitmation actor to ever rampage across a miniature stage. He brings something extra to every monster he plays, and Gabora is no exception. 

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Ultra Q Ep. 10: The Underground Super Express Goes West

Ultra Q Underground Super Express Goes West Train Arrives

Directed by Toshihiro Iijima. Written by Hiroyasu Yamaura and Toshihiro Iijima. Airdate March 5, 1966.

There’s no “typical” episode of Ultra Q. There are typical episode types, such as the straightforward giant monster stories like “Terror of the Sweet Honey” and “Tokyo Ice Age”; horror episodes like “Devil Child” and “Baron Spider”; the fairy tales of “Grow Up! Little Turtle” and “Kanegon’s Cocoon”; and Twilight Zone and Outer Limits-influenced episodes like “Open Up!” and “The ⅛ Project.” But if I had to pick one episode to represent Ultra Q at its most typically atypical, the episode that manages to pack everything in the writers’ room junk drawer into a half hour, this is it. The last episode produced of the original 28, it reveals the creative team at full power, making one of the crowning achievements of the show.

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Ultraseven Ep. 5: Vanished Time

Alien Vira in Ultraseven episode Vanished Time

Directed by Hajime Tsuburaya. Written by Akihiko Sugano. Airdate Oct. 29, 1967.

In the most adult-oriented and serious episode yet, another alien race plots to infiltrate TDF’s Far East Base in human disguise and blow up something to make way for their invasion. We’ve seen this ploy already in “Secret of the Lake” and “Max, Respond.” But this time the invaders have a more insidious scheme, which is to sow suspicion in the Ultra Guard to trick them into believing Dan is an alien traitor in disguise. That way the real infiltrator can escape suspicion and remove Ultraseven as an obstacle. (All alien races seem to be able to immediately recognize that Dan isn’t an Earthling.) 

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Ultraman Ep. 8: The Monster Anarchy Zone

Red King from Ultraman episode The Monster Anarchy Zone

Directed by Samaji Nonagase. Written by Tetsuo Kinjo and Shozo Uehara. Airdate Sep. 4, 1966.

In the previous episode, the Science Patrol flew off for a fantasy adventure in the Middle East. This week, they’re taking the Jet VTOL to a volcanic jungle island stacked with monsters. It’s classic Lost World and Skull Island stuff, and I’m surprised Eiji Tsuburaya didn’t find a way to cram in a giant gorilla among all the other kaiju. The King Kong influence is all over this half-hour.

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