Ultra Q Ep. 15: Kanegon’s Cocoon

Directed by Samaji Nonagase. Written by Masahiro Yamada. Airdate April 10, 1966.

After four giant monster episodes in a row, it’s time for something different. Really different. Something so out there it doesn’t even have room for any of the series leads. Spoilers ahead, but believe me, they don’t matter. In fact, go watch the episode right now and come back so we can share.

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Ultraman Ep. 13: Oil S.O.S.

Directed by Hajime Tsuburaya. Written by Tetsuo Kinjo. Airdate Oct. 9, 1966.

Mitsuhiro Ide, the Science Patrol’s resident inventor, was intended as Ultraman’s comic character. Maybe in the beginning of the program’s development, the creators saw Ide as purely a comedy foil to add wacky zip to a monster show. However, something changed early on. My suspicion is that actor Masanari Nihei was responsible for Ide evolving into more than just comic relief. Ide never lost his humor, but he emerged as the show’s most complex character. 

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Ultra Q Ep. 14: Tokyo Ice Age

Directed by Samaji Nonagase. Written by Masahiro Yamada. Airdate April 3, 1966.

The most terrifying monster of all has arrived: climate change! Yes, scientists already knew about this encroaching global threat in 1966 and were sounding the alarm bells. They didn’t, however, warn that melting Antarctic ice combined with nuclear power plant accidents would force the deep-freeze monster Peguila north to wreck wintry havoc! Would more people have paid attention if they did? I think so.

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Ultraseven Ep. 9: Operation Android Zero

Directed by Kazuho Mitsuta. Written by Shozo Uehara. Airdate Nov. 36, 1967.

A small-scale episode, but that doesn’t mean it isn’t exciting. The devious alien of the week may not have a plan that will conquer the world — although he believes it will — but it’s a vile plan with disturbing relevance to the current day. All the action remains at human size with no giant monsters and no super-sized Ultraseven, but it’s superbly staged, paced, and shot. At times, it feels like a live-action version of a Batman: The Animated Series episode where Batman has to take down a villain who builds children’s toys that are actually lethal devices. 

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Ultraman Ep. 12: Cry of the Mummy

Directed by Hajime Tsuburaya. Written by Keisuke Fujikawa. Airdate Oct. 2, 1966.

Another winner of an episode, the third in a row. We have a new story archetype to explore: the archeological adventure. The mummy of the title isn’t a traditional Egyptian mummy, although it has tomb wrappings, but a mysterious, possibly supernatural creature from prehistoric Japan. As a nice surprise, the Mummy Man doesn’t end up enlarging into the episode’s giant monster. No, there’s a much more impressive kaiju waiting in the wings to fill that role.

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Ultra Q Ep. 13: Garadama

Directed by Hajime Tsuburaya. Written by Tetsuo Kinjo. Airdate March 27, 1966.

Children in the countryside discover a strange rock that fell from the sky — not the only time this will happen in the Ultra Series. They dutifully turn it over to their teachers, who then turn it over to Professor Ichinotani to investigate. Ichinotani discovers this mystery meteorite (or garadama as the locals refer to such phenomena) is made from an alien material known as Tilsonite. It’s not a monster egg, however, but the control device for the monster arriving in a larger meteorite that splashes down in a lake near a hydroelectric dam. Monster Garamon, an artificial alien construction, breaks loose from its stone transport. It starts to wreak havoc, and then … oh, you’ll have to wait for Part 2 to learn the rest.

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Ultraseven Ep. 8: The Marked Town

Directed by Akio Jissoji. Written by Tetsuo Kinjo. Airdate Nov. 19, 1967.

After seven episodes of sporadic success sifting through the basics, Ultraseven at last comes together in one of the most memorable and imitated half hours in all of tokusatsu. There are episodes ahead I like more, but “The Marked Town” is a landmark and arguably the show’s essential episode. A simple case of “If you see only one Ultraseven episode, make it this one.”

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