Ultraseven Ep. 5: Vanished Time

Alien Vira in Ultraseven episode Vanished Time

Directed by Hajime Tsuburaya. Written by Akihiko Sugano. Airdate Oct. 29, 1967.

In the most adult-oriented and serious episode yet, another alien race plots to infiltrate TDF’s Far East Base in human disguise and blow up something to make way for their invasion. We’ve seen this ploy already in “Secret of the Lake” and “Max, Respond.” But this time the invaders have a more insidious scheme, which is to sow suspicion in the Ultra Guard to trick them into believing Dan is an alien traitor in disguise. That way the real infiltrator can escape suspicion and remove Ultraseven as an obstacle. (All alien races seem to be able to immediately recognize that Dan isn’t an Earthling.) 

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Ultraman Ep. 8: The Monster Anarchy Zone

Red King from Ultraman episode The Monster Anarchy Zone

Directed by Samaji Nonagase. Written by Tetsuo Kinjo and Shozo Uehara. Airdate Sep. 4, 1966.

In the previous episode, the Science Patrol flew off for a fantasy adventure in the Middle East. This week, they’re taking the Jet VTOL to a volcanic jungle island stacked with monsters. It’s classic Lost World and Skull Island stuff, and I’m surprised Eiji Tsuburaya didn’t find a way to cram in a giant gorilla among all the other kaiju. The King Kong influence is all over this half-hour.

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Ultraman Ep. 7: The Blue Stone of Baradhi

Directed by Samaji Nonagase. Written by Tetsuo Kinjo and Samaji Nonagase. Airdate August 28, 1966.

We pop out of the slump of middling episodes with a mini-epic that sends the Science Patrol to a lost city in the Middle East and expands upon the mythos of the Ultras. The mixture of 1930s pulp adventure and giant monster movie makes for a stand-out half hour. I also just enjoy it when an Ultra show sends its defense team outside of Japan to soak up some different backdrops.

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Ultra Q Ep. 7: S.O.S. Mount Fuji

Directed by Toshihiro Iijima. Written by Tetsuo Kinjo and Toshihiro Iijima. Airdate Feb. 13, 1966.

Mount Fuji has not erupted in over 250 years … and that can only mean another major eruption is imminent. But since this is the world of Ultra Q, we won’t witness any normal eruption. Instead, we’re going to see a monster formed from a conglomeration of igneous rocks battle a “Japanese Tarzan.” Why do anything normal when you can make good TV instead?

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Toku Theater: Gamera the Giant Monster (1965)

Directed by Noriaki Yuasa. Written by Niisan Takahashi.

Now for another movie break, this time for a “classic” of Japanese kaiju cinema. It’s a short hop from Ultra Q’s “Grow Up! Little Turtle,” a tale about a boy and his affection for a giant turtle who takes him to see a princess underwater, to Gamera the Giant Monster, a tale about a boy and his affection for a giant turtle who is causing mass destruction and death.

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Ultraseven Ep. 3: Secret of the Lake

Directed by Samaji Nonagase. Written by Tetsuo Kinjo. Airdate Oct. 15, 1967.

This was the first Ultraseven episode produced, and it’s fascinating to see how much the crew already had a feel for the show’s possibilities and what made it different from Ultraman. It’s a better start than the first two episodes aired: “The Invisible Challenger” put the pieces in place, “The Green Terror” emphasized the serious mood, but “Secret of the Lake” demonstrates what Ultraseven can do when it swings into action with full confidence in its premise.

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Ultraman Ep. 6: The Coast Guard Command

Directed by Samaji Nonagase. Written by Masahiro Yamada. Airdate August 21, 1966.

The first episode to focus on young Hoshino, the boy who wants to one day join the Science Special Search Party. Hoshino and his friends Chiro and Nobuku get swept up in a Hardy Boys-style story investigating smugglers along the wharf. Notorious smuggler “Diamond-Kick” (great name) has hidden his newest diamond shipment among bags of cacao beans, and the young detectives end up kidnapped when they start poking around the warehouses. It sounds like the kind of adventure tale a child might come up with. A child might also add a giant monster that comes up onto the wharf to throw everything into chaos. A monster who loves chocolate.

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