Tag: Kazuho Mitsuta

Ultraman Ep. 36: Don’t Shoot, Arashi!

~ Ryan Harvey

Directed by Kazuho Mitsuta. Written by Masahiro Yamada. Airdate March 19, 1967.

Science Patrol Member Daisuke Arashi is one of the character templates of the Ultra Series: the action-oriented, shoot-first defense team member who’s always ready to rumble with the monster of the week, whether it’s a smart move or not. This archetype has shown up many times since. The action-guy In Ultraseven, Furuhashi, is even played by the same actor who plays Arashi, Sandayu Dokumamushi. Defense teams need a person like this to balance the more peaceful and utopian approach the shows often take. There has to be someone around to say, “Let’s just shoot the damn thing!” even if that tactic rarely works. And poor Arashi has so often been wrong about shooting first.

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Ultraseven Ep. 29: The Earthling All Alone

~ Ryan Harvey

Directed by Kazuho Mitsuta. Written by Shinichi Ichikawa. Airdate April 21, 1968.

Similar to “Return to the North!”, this episode looks at the life of an Ultra Guard member outside of the day-to-day work of defending Earth from invaders. We learn that Soga is engaged; his fiancée, Saeko Nambu (Sanae Kitabayashi), is a sophomore at Kyonan University. The other UG members tease Soga by calling him Soga-kun, the familiar form of address that Saeko uses with him. This is a welcome touch of humor and lightness among the Ultra Guard, who rarely have the easy camaraderie of the Science Patrol in Ultraman. 

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Ultraseven Ep. 28: The 700 Kilometer Run

~ Ryan Harvey

Directed by Kazuho Mitsuta. Written by Shozo Uehara. Airdate April 14, 1968.

We have something special for you today, Ultra fans! My distinguished regular readers and guests, children of all ages, please direct your attention to the starting line of Day One of a 700 kilometer race. (That’s 435 miles for all my US-based readers.) I present to you … Dino Tank!

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Ultraseven Ep. 25: Showdown at 140 Degrees Below Zero

~ Ryan Harvey

Directed by Kazuho Mitsuta. Written by Tetsuo Kinjo. Airdate March 24, 1968.

An intense cold snap and snow storm descend on the HQ of the Terran Defense Force. Temperatures plunge below –100°F and keep dropping. Ultra Guard member Soga isn’t concerned at first, talking dismissively as he pours a cup of coffee: “A cold wave zone 114 degrees below zero is nothing to get nervous about. The atomic reactor in the power house 18 floors under is burning red. Praise human technology.” 

The moment Soga says this, viewers know everything is about to go wrong in the worst way. The episode does not disappoint. 

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Ultraseven Ep. 24: Return to the North!

~ Ryan Harvey

Directed by Kazuho Mitsuta. Written by Shinichi Ichikawa. Airdate March 17, 1968.

It’s rare to have an Ultraseven episode focused on a drama about an individual Ultra Guard member. There are occasional shows that let a particular character take the spotlight, such as “Search for Tomorrow,” which put Captain Kiriyama in conflict with his own team. But “Return to the North!” goes further: it examines the personal life of a member outside of the Ultra Guard. Surprisingly, the UG member picked for the starring role is Shigeru Furuhashi, the team’s “shoot first” action guy. 

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Ultra Q Ep. 26: Blazing Glory

~ Ryan Harvey

Directed by Kazuho Mitsuta. Written by Toshihiro Iijima. Airdate June 26, 1966.

Director Kazuho Mitsuta’s second aired episode (although produced before “Space Directive M774”) is his first classic. Mitsuta had a knack for intense character-driven stories told with cinematic flair. His episodes look fantastic without being ostentatious. “Blazing Glory” shows Mitsuta operating at a high level and making the best possible episode from one of Ultra Q’s most dramatic, human tales.

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Ultra Q Ep. 21: Space Directive M774

~ Ryan Harvey

Directed by Kazuho Mitsuta. Written by Shozo Uehara. Airdate May 22, 1966.

This is Shozo Uehara’s debut as a writer for the Ultra franchise. His work is sparse for Ultra Q and Ultraman, although he penned the stone-cold classic Ultraman episode “The Monster Anarchy Zone.” It was later on Ultraseven and then as head writer on Return of Ultraman that he’d emerge as one of the most prolific and imaginative members of Tsuburaya Pro’s writing stable. 

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Ultraseven Ep. 14 & 15: The Ultra Guard Goes West

~ Ryan Harvey

Directed by Kazuho Mitsuta. Written by Tetsuo Kinjo. Airdate Jan. 7 & 14, 1968.

When I looked at “Space Prisoner 303,” I speculated that it was the point where younger viewers started to lose interest in Ultraseven during its initial run. It seems there’s truth to this, as that episode had a 30% drop in viewership. It’s not a good episode, so the decline makes some sense; but the next episode, “The Marked Town,” had the same audience attrition, and that’s one of the greatest episodes in the history of the franchise! Still, it was different and strange, and kids probably weren’t getting the fun they anticipated after watching Ultraman’s weekly monster smackdowns.

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Ultraseven Ep. 11: Fly to Devil Mountain

~ Ryan Harvey

Directed by Kazuho Mitsuta. Written by Tetsuo Kinjo. Airdate Dec. 10, 1967.

Captain Kiriyama sends the Ultra Guard to investigate a series of unexplained deaths, mostly of young vacationers, around Mount Iwami. While Dan and Soga are scouting the area, the alien raygun used on the victims zaps Dan, apparently killing him. We know Dan isn’t really dead — he’s the lead of the show, after all — but this opening immediately moves the episode into new territory. The series protagonist is out of the action, and the Ultra Guard has to figure out what happened without him until the finale, when we know that Dan turns into Ultraseven and squares off against the alien menace.

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Ultraseven Ep. 9: Operation Android Zero

~ Ryan Harvey

Directed by Kazuho Mitsuta. Written by Shozo Uehara. Airdate Nov. 36, 1967.

A small-scale episode, but that doesn’t mean it isn’t exciting. The devious alien of the week may not have a plan that will conquer the world — although he believes it will — but it’s a vile plan with disturbing relevance to the current day. All the action remains at human size with no giant monsters and no super-sized Ultraseven, but it’s superbly staged, paced, and shot. At times, it feels like a live-action version of a Batman: The Animated Series episode where Batman has to take down a villain who builds children’s toys that are actually lethal devices. 

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