Directed by Toshitsugu Suzuki. Written by Shozo Uehara. Airdate May 5, 1968.
Ultraseven takes another big swing at exploring new science fiction territory. Drawing inspiration from the 1966 film Fantastic Voyage, our hero Ultraseven reverses his usual tactics and shrinks to face a microscopic but deadly enemy within the strange battlefield of the human body.
Continue reading “Ultraseven Ep. 31: Flower Where the Devil Dwells”
Directed by Toshitsugu Suzuki. Written by Keisuke Fujikawa. Airdate April 28, 1968.
In another departure from the science-fiction themes of Ultraseven, “Glory for Whom?” is a character drama centered on its guest star. TDF member Aoki is one of the most unusual characters to drop in for a single episode.
Continue reading “Ultraseven Ep. 30: Glory for Whom?”
Directed by Kazuho Mitsuta. Written by Shinichi Ichikawa. Airdate April 21, 1968.
Similar to “Return to the North!”, this episode looks at the life of an Ultra Guard member outside of the day-to-day work of defending Earth from invaders. We learn that Soga is engaged; his fiancée, Saeko Nambu (Sanae Kitabayashi), is a sophomore at Kyonan University. The other UG members tease Soga by calling him Soga-kun, the familiar form of address that Saeko uses with him. This is a welcome touch of humor and lightness among the Ultra Guard, who rarely have the easy camaraderie of the Science Patrol in Ultraman.
Continue reading “Ultraseven Ep. 29: The Earthling All Alone”
Directed by Kazuho Mitsuta. Written by Shozo Uehara. Airdate April 14, 1968.
We have something special for you today, Ultra fans! My distinguished regular readers and guests, children of all ages, please direct your attention to the starting line of Day One of a 700 kilometer race. (That’s 435 miles for all my US-based readers.) I present to you … Dino Tank!
Continue reading “Ultraseven Ep. 28: The 700 Kilometer Run”
Directed by Toshitsugu Suzuki. Written by Keisuke Fujikawa. Airdate April 7, 1968.
While doing this website, I’ve discovered that writing about the best Ultra episodes is more difficult than writing about good or mediocre episodes. With a classic episode, there’s more to consider and explore and numerous ways to approach the writing. Discovering the ideal way to concisely discuss a complex, multilayered episode in an entertaining and clear way can be rough. It’s rewarding to get to that final version, but it takes serious effort.
Continue reading “Ultraseven Ep. 27: Operation Cyborg”
Directed by Toshitsugu Suzuki. Written by Bunzo Wakatsuki. Airdate March 31, 1968.
The Cold War and fears of nuclear war lurk behind much of tokusatsu, especially in the Showa era. The movie that ignited the tokusatsu genre, Godzilla, is the quintessential cinematic nuclear metaphor, and Japan is the nation most acutely aware of the horrors of nuclear weapons as “deterrents.” The specter of the Cold War haunts many of Ultraseven’s tales of alien invaders. In “Super Weapon R1,” the subtext of the madness of the arms race becomes the text, the explicitly stated theme. This could’ve turned out heavy-handed. Here, it all works, resulting in one of the great and enduring Ultra episodes.
Continue reading “Ultraseven Ep. 26: Super Weapon R1”
Directed by Kazuho Mitsuta. Written by Tetsuo Kinjo. Airdate March 24, 1968.
An intense cold snap and snow storm descend on the HQ of the Terran Defense Force. Temperatures plunge below –100°F and keep dropping. Ultra Guard member Soga isn’t concerned at first, talking dismissively as he pours a cup of coffee: “A cold wave zone 114 degrees below zero is nothing to get nervous about. The atomic reactor in the power house 18 floors under is burning red. Praise human technology.”
The moment Soga says this, viewers know everything is about to go wrong in the worst way. The episode does not disappoint.
Continue reading “Ultraseven Ep. 25: Showdown at 140 Degrees Below Zero”
Directed by Kazuho Mitsuta. Written by Shinichi Ichikawa. Airdate March 17, 1968.
It’s rare to have an Ultraseven episode focused on a drama about an individual Ultra Guard member. There are occasional shows that let a particular character take the spotlight, such as “Search for Tomorrow,” which put Captain Kiriyama in conflict with his own team. But “Return to the North!” goes further: it examines the personal life of a member outside of the Ultra Guard. Surprisingly, the UG member picked for the starring role is Shigeru Furuhashi, the team’s “shoot first” action guy.
Continue reading “Ultraseven Ep. 24: Return to the North!”
Directed by Samaji Nonagase. Written by Shozo Uehara and Samaji Nonagase. Airdate March 10, 1968.
Captain Kiriyama takes center stage for an unusual episode that shows the Ultra Guard members acting as more than a stock hero team. Characterization in Ultraseven works differently than in Ultraman and other Ultra shows: scripts often downplay individuality in favor of larger science-fiction themes. It’s good to have a chance to settle in with a personal character drama like “Search for Tomorrow,” where Kiriyama reveals a side that puts him at odds with the rationalist approach of the Terran Defense Force and the Ultra Guard. It’s not a superlative action episode, but it has some crunchy ideas to chew on and a strong use of the ensemble.
Continue reading “Ultraseven Ep. 23: Search for Tomorrow”
Directed by Toshitsugu Suzuki. Written by Hiroyasu Yamaura. Airdate March 3, 1968.
Ultraseven shifts to science-horror with an episode mirroring the more sober stories of Ultra Q. The general mood is subdued foreboding laced with body horror. Several unusual visual choices enhance the quiet dread. It’s ambitious, and the episode almost works — but the climax veers in a different direction that emphasizes big action. The finale may not include a giant monster fight, but it still feels like a conventional wrap-up, and that doesn’t gel with a story about aliens using women’s bodies as cultures for growing their food.
Continue reading “Ultraseven Ep. 22: The Human Farm”
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