Month: October 2025

Monster Theater: X the Unknown (1956)

~ Ryan Harvey

Directed by Leslie Norman. Written by Jimmy Sangster. Starring Dean Jagger, Edward Chapman, Leo McKern, Michael Ripper, Anthony Newley.

I’d love to offer a Halloween-themed review of an Ultra episode like last year. But the calendar didn’t align this time, and I had to use up the review of Ultraman Tiga’s Halloween episode in March. So to celebrate horror season this year, I’m returning to Hammer Films and the second of their influential Quatermass Films. The one that isn’t actually a Quatermass film but is trying to pass itself off as one — and doing a decent job of it. X the Unknown doesn’t have the intensity, pacing, or paranoia of the three true Quatermass films, but it’s still above average Atomic Age horror with intelligence, several strong performances, and a few genuinely chilling sequences. 

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Ultraman Ep. 32: Endless Counterattack

~ Ryan Harvey

Directed by Toshitsugu Suzuki. Written by Keisuke Fujikawa. Airdate Feb. 19, 1967.

In what feels like a flashback to the earliest episodes, “Endless Counterattack” is a formulaic rampaging monster story with a structure similar to middle-of-the-road episodes like “Science Patrol, Move Out” and “Lightning Operation.” Giant monster Zumbolar appears in the wilds and causes massive destruction with its fiery powers. The Science Parol must find a way to stop it as it trundles toward Tokyo. Ide comes up with an invention, Hayata changes into Ultraman, and the problem is solved after a whole bunch of stuff goes kablooie. 

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Ultraseven Ep. 28: The 700 Kilometer Run

~ Ryan Harvey

Directed by Kazuho Mitsuta. Written by Shozo Uehara. Airdate April 14, 1968.

We have something special for you today, Ultra fans! My distinguished regular readers and guests, children of all ages, please direct your attention to the starting line of Day One of a 700 kilometer race. (That’s 435 miles for all my US-based readers.) I present to you … Dino Tank!

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Ultraman Ginga Ep. 2: A Midsummer Night’s Dream

~ Ryan Harvey

Directed by Yuichi Abe. Written by Keiichi Hasegawa. Airdate July 17, 2013.

The second outing for Ultraman Ginga is a minor improvement over the rough first episode. It’s standard for Ultra shows to have stronger second episodes because they need to jam less set-up into a half-hour. “A Midsummer Night’s Dream” gives us more time with our new protagonists, Hikaru and Misuzu, to establish their relationship, and there’s an odd but enjoyable villain. Not a kaiju or alien villain, but a nutball motorcyclist who likes to run people over for committing crimes. Like being too flirtatious.

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Ultraman Tiga Ep. 21: Deban’s Turn

~ Ryan Harvey

Directed by Tsugumi Kitaura. Written by Ai Ota. Airdate Jan. 25, 1997.

Are you ready for a “cute mascot monster” episode? The same way that many Ultra shows seek their own version of Ultraman’s “My Home Is Earth,” they also try to come up with their own “Kanegon’s Cocoon” or “A Little Hero.” How well does “Deban’s Turn” meet the goals of the cute monster tale? Extremely well. Deban doesn’t reach the heights of Kanegon or Pigmon, or even Hanejiro from Ultraman Dyna. But this story of a monster who finds acceptance among a troupe of clowns and can defeat the rage powers of a demon beast is charming and heartwarming. 

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Ultraman Ep. 31: Who Goes There?

~ Ryan Harvey

Directed by Yuzo Higuchi. Written by Taro Kaido. Airdate Feb. 12, 1967.

Ultraman’s fighting style evolved over the show’s run. Starting with a close-contact, grounded style, Ultraman became more agile and flexible as Bin Furuya, the actor inside the suit, got more accustomed to the costume. The fight choreography changed to match. Furuya picked “Who Goes There?” as a peak of this fighting evolution. He’s right: the battle between Ultraman and the giant Vampire Plant Keronia is among the most athletic and dynamic in the show. Furuya as Ultraman executes impressive full-body flips and flying double-leg kicks that must have required intense training and practice. Furuya was right to feel proud — all of it looks fantastic. 

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Ultraman Ginga / Ultraman Ginga S: An Introduction

~ Ryan Harvey

The time has come to look at the Third Era of Ultra. Following Showa and Heisei comes the “New Generation Heroes” era. It’s the epoch we’re currently in* — and it’s a divisive one. After a disruptive shift in the ownership and operation of Tsuburaya Productions, the Ultra Series transformed into something more slick, polished, corporate, risk-averse, and very eager to sell toys. Yet the New Gen shows have garnered many new fans, and they can truly be a good time. Occasionally a great time. 

How do the first shows of the New Generation Heroes era — Ultraman Ginga and its sequel/second season Ultraman Ginga S — fare? 

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Ultraseven Ep. 27: Operation Cyborg

~ Ryan Harvey

Directed by Toshitsugu Suzuki. Written by Keisuke Fujikawa. Airdate April 7, 1968.

While doing this website, I’ve discovered that writing about the best Ultra episodes is more difficult than writing about good or mediocre episodes. With a classic episode, there’s more to consider and explore and numerous ways to approach the writing. Discovering the ideal way to concisely discuss a complex, multilayered episode in an entertaining and clear way can be rough. It’s rewarding to get to that final version, but it takes serious effort. 

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