Monster Theater: The Giant Claw (1957)

August 30, 2025October 5, 2025 ~ Ryan Harvey

Directed by Fred F. Sears. Written by Paul Gangelin and Sam Newman. Starring Jeff Morrow, Mara Corday, Morris Ankrum.

In these movie breaks, I’ve so far looked at monster films from Japan and the UK. It’s time to pay a visit to the B-movie factories of 1950s Hollywood, the original laboratories where the giant monster craze was spawned and mutated. I grew up on these movies on Saturday and Sunday afternoons, seeing many of them before I saw my first Godzilla movie. I still have immense love for them, their often corny earnestness, and their peculiar cultural zeitgeist of the anxiety-ridden 1950s.

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Ultraseven Ep. 24: Return to the North!

August 27, 2025September 6, 2025 ~ Ryan Harvey

Directed by Kazuho Mitsuta. Written by Shinichi Ichikawa. Airdate March 17, 1968.

It’s rare to have an Ultraseven episode focused on a drama about an individual Ultra Guard member. There are occasional shows that let a particular character take the spotlight, such as “Search for Tomorrow,” which put Captain Kiriyama in conflict with his own team. But “Return to the North!” goes further: it examines the personal life of a member outside of the Ultra Guard. Surprisingly, the UG member picked for the starring role is Shigeru Furuhashi, the team’s “shoot first” action guy.

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Ultraman Tiga Ep. 17: The Battle Between Red and Blue

August 23, 2025November 1, 2025 ~ Ryan Harvey

Directed by Shinichi Kamizawa. Written by Hidenori Miyazawa and Shinichi Kamizawa. Airdate Dec. 28, 1996.

I have affection for the offbeat Ultra episodes: the ones that take unexpected trips to different genres or spotlight a quirky new character as protagonist of the week. Some of these episodes are among the best in the history of the franchise, such as “Kanegon’s Cocoon” and “The Monster Tamer and the Boy.” Others, like “The Battle Between Red and Blue,” are merely charming and put a smile on my face for a half hour. You can’t spend every episode beating up monsters and alien invaders to save the world. Sometimes you need to just sit down with a nice old lady and eat popcorn and watch some TV.

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Ultraman Ep. 26 & 27: The Monster Highness

August 20, 2025December 12, 2025 ~ Ryan Harvey

Directed by Hajime Tsuburaya. Written by Tetsuo Kinjo and Bunzo Wakatsuki. Airdate Jan. 8 & 15, 1967.

The unofficial promise Ultraman makes to viewers is that it will deliver the thrills of giant monster movies in a TV-sized package. No episodes achieve this better than the first two-parter* in Ultra Series history. “The Monster Highness” is a VFX extravaganza that introduces the most famous kaiju in the franchise and smashes the thrill button as hard as it can with kinetic fights, heavy military action, and mass-scale urban destruction. Children all over Japan were on edge after the cliffhanger of Part 1 where Ultraman suffered a true defeat, ensuring that Part 2 would become one of the most viewed episodes of any Ultra show.

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Ultraseven Ep. 23: Search for Tomorrow

August 16, 2025August 27, 2025 ~ Ryan Harvey

Directed by Samaji Nonagase. Written by Shozo Uehara and Samaji Nonagase. Airdate March 10, 1968.

Captain Kiriyama takes center stage for an unusual episode that shows the Ultra Guard members acting as more than a stock hero team. Characterization in Ultraseven works differently than in Ultraman and other Ultra shows: scripts often downplay individuality in favor of larger science-fiction themes. It’s good to have a chance to settle in with a personal character drama like “Search for Tomorrow,” where Kiriyama reveals a side that puts him at odds with the rationalist approach of the Terran Defense Force and the Ultra Guard. It’s not a superlative action episode, but it has some crunchy ideas to chew on and a strong use of the ensemble.

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Ultraman Ep. 25: Mysterious Comet Tsuifon

August 13, 2025August 20, 2025 ~ Ryan Harvey

Directed by Toshihiro Iijima. Written by Bunzo Wakatsuki. Airdate Jan. 1, 1967.

In a scenario inspired by Ishiro Honda’s science-fiction epic Gorath (1962), a comet is hurtling toward Earth on a near-miss course. A near-miss is still too close: Comet Tsuifon’s cosmic rays may cause several missing older hydrogen bombs to detonate and annihilate life on the planet. After the comet makes its pass without causing an apocalypse, the Science Patrol determines there is still one missing bomb in danger of exploding. And that bomb was swallowed by a monster. And that monster is Red King. Oh dear gods, we’re all doomed…

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Ultraseven Ep. 22: The Human Farm

August 9, 2025December 13, 2025 ~ Ryan Harvey

Directed by Toshitsugu Suzuki. Written by Hiroyasu Yamaura. Airdate March 3, 1968.

Ultraseven shifts to science-horror with an episode mirroring the more sober stories of Ultra Q. The general mood is subdued foreboding laced with body horror. Several unusual visual choices enhance the quiet dread. It’s ambitious, and the episode almost works — but the climax veers in a different direction that emphasizes big action. The finale may not include a giant monster fight, but it still feels like a conventional wrap-up, and that doesn’t gel with a story about aliens using women’s bodies as cultures for growing their food.

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Ultraman Tiga Ep. 16: The Revived Demon

August 6, 2025August 23, 2025 ~ Ryan Harvey

Directed by Kyota Kawasaki. Written by Hideyuki Kawakami. Airdate Dec. 21, 1996.

After a hint of the supernatural in the previous episode, Ultraman Tiga goes into a full-fledged fantasy drawn from Japanese legends and the country’s feudal era. The Showa era Ultra shows rarely visited this time period, mostly because the networks didn’t want to limit international sales by making the shows “too Japanese.” Thankfully, the Heisei era loosened up on this so that the more fantastical world of samurais, shoguns, ogres, and demons could burst through to Ultraman’s world. “The Revived Demon” is among the best of these types of episodes, and it’s one of director Kawasaki’s most impressive outings on Tiga.

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Toku Theater: Gamera vs. Guiron (1969)

August 2, 2025September 27, 2025 ~ Ryan Harvey

Directed by Noriaki Yuasa. Written by Niisan Takahashi.

This is the Gamera movie with the alien women who shave a kid’s head so they can eat his brains, Gamera performing a men’s gymnastics routine, and a monster that looks like a letter opener. It’s also the Gamera movie that decides plot is optional when all it needs is kids wandering around science-fiction sets watching monsters have outlandish battles. Gamera vs. Viras did something similar, and Gamera vs. Guiron takes the next step of stretching out the “kids wandering around spaceship” section to fill most of the movie.

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