Ultraman Ep. 21: Breach the Wall of Smoke

Directed by Yuzo Higuchi. Written by Taro Kaido. Airdate Dec. 4, 1966.

This is the Isamu Hoshino episode, the big starring role for the show’s 12-year-old mascot turned actual SSSP member. Hoshino already had a “save the day” moment in “Brother From Another Planet,” but this goes to the next level where he becomes the main character. Hoshino lands in the thick of the action, takes control of piloting the Sub VTOL, and figures out how to defeat the kaiju of the week. Your opinion of Hoshino and little kid heroics will strongly affect how you react to this episode. 

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Ultraseven Ep. 18: Escape Dimension X

Directed by Hajime Tsuburaya. Written by Testuo Kinjo. Airdate Feb. 4, 1968.

“Escape Dimension X” is Ultraseven’s version of Ultraman’s influential episode “The Monster Anarchy Zone”: a fast-paced monster-packed adventure taking place in a weird wilderness of exotic dangers. Many Ultra shows have their own take on this pulpy Lost World concept. Now we see the darker SF sensibility of Ultraseven at work on the premise. Where “The Monster Anarchy Zone” is a wild, fun rollercoaster with plenty of giant monsters, “Escape Dimension X” is horror-tinged and eerie, with monsters of the more creepy-crawly variety. This “lost world” is also presented as a science-fiction mystery, an artificially created alternate dimension, although the story leaves most of it unexplained.

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Ultra Q Ep. 23: Fury of the South Sea

Directed by Samaji Nonagase. Written by Tetsuo Kinjo. Airdate June 5, 1966.

In the world of Japanese special-effects films, the mid-‘60s was the time to go on Pacific island vacations. This was when the Godzilla series left the cities to jet off for two budget-friendly South Seas adventures, Ebirah, Horror of the Deep (1966) and Son of Godzilla (1967). Around this time, Ultra Q took its own trip to the islands, although on an even tighter TV budget. The crew could only afford a recycled octopus prop and stock footage lifted from King Kong vs. Godzilla (1962) to create its giant monster of the week.

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Toku Theater: Gamera vs. Viras (1968)

Directed by Noriaki Yuasa. Written by Niisan Takahashi.

The fourth Gamera film adds the finishing touches, the final trio of elements that director Noriaki Yuasa and producer Hidemasa Nagata needed to complete the Gamera style: a Caucasian second child actor, Gamera’s catchy kiddie chant theme, and stock footage. The last of these isn’t a benefit.

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Ultraman Tiga Ep. 12: S.O.S. From the Bottom of the Sea

Directed by Shinichi Kamizawa. Written by Nobuhisa Kodama. Airdate Nov. 23, 1996.

“Not all enemies come from distant space,” TPC head Sawai tells the GUTS team members as they face their newest adversary, mutated sea beast Leilons. Human tampering with the environment, such as the underwater nuclear testing that created Leilons, is a significant threat to life on Earth. A good message, one heard in many Ultra shows. But by the time Sawai gives his speech (and rests his hand on Rena’s shoulder for an uncomfortably long time), the episode has already given essentially the same speech multiple times.

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Ultraman Ep. 20: Terror on Route 87

Directed by Yuzo Higuchi. Written by Tetsuo Kinjo. Airdate Nov. 27, 1966.

Screenwriter Tetsuo Kinjo had a knack for taking topical subjects and finding ways to transform them into workable Ultra scripts. “Monster-as-metaphor” is one of the most viable and enduring forms of social commentary in science fiction and horror, and Kinjo was adept at not making the commentary in his monster scripts too heavy-handed, even with a subject as grim as the alarming number of deaths of children in auto accidents. And yes, that’s the subject of “Terror on Route 87.” 

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Ultra Q Ep. 22: Metamorphosis

Directed by Koji Kajita. Written by Kyoko Kitazawa. Story by Tetsuo Kinjo. Airdate May 29, 1966.

As we enter the last quarter mile of Ultra Q‘s run, we stumble across one of the first produced episodes. “Metamorphosis” was only the second episode shot, following “Mammoth Flower.” Even though it features a giant monster, a sure-thing for ratings, TBS decided to wait this late into the show’s run to put it on the air. 

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Ultraseven Ep. 17: Underground Go! Go! Go!

Directed by Hajime Tsuburaya. Written by Shozo Uehara. Airdate Jan. 28, 1968.

The standard procedure for Ultra warriors who come to Earth is to merge with a human host, a precedent set in Ultraman and followed throughout most of the shows. Ultraseven is one of the exceptions (Ultraman Leo is another), where the Ultra warrior chooses to adopt a human form and remain 100% alien. But how does an Ultra who takes this route decide on their human “costume”? This episode addresses that question, making it an essential watch for the lore of the show.

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