Month: December 2024

Ultraseven Ep. 8: The Marked Town

~ Ryan Harvey

Directed by Akio Jissoji. Written by Tetsuo Kinjo. Airdate Nov. 19, 1967.

After seven episodes of sporadic success sifting through the basics, Ultraseven at last comes together in one of the most memorable and imitated half hours in all of tokusatsu. There are episodes ahead I like even more, but “The Marked Town” is a landmark and arguably the show’s essential episode. A simple case of, “If you see only one Ultraseven episode, make it this one.”

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Monster Theater: The Quatermass Xperiment (1955)

~ Ryan Harvey
The title "The Quatermass Xperiment" over an image from the film of a crashed rocket.

Directed by Val Guest. Written by Richard Landau and Val Guest. Starring Brian Donlevy, Richard Wordsworth, Jack Warner.

I keep bumping into the British Quatermass series as I write these reviews — specifically the 1955 film The Quatermass Xperiment. This isn’t surprising. The movie was a huge hit when released in Japan a few months after its UK premiere. This was only a year after the release of the original Godzilla, so the country was primed for more science-fiction horror.

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Ultraman Tiga Ep. 3: The Devil’s Prophecy

~ Ryan Harvey

Directed by Hirochika Muraishi. Written by Chiaki J. Konaka. Airdate Sep. 21, 1996.

After two episodes without much character development for the GUTS team, we get a story focused on Captain Iruma and her personal and professional struggles. Megumi Iruma is my favorite character in Ultraman Tiga, and “The Devil’s Prophecy” shows how much she can shine. Defense team captains before her were stoic, occasionally boring, and at times borderline negligent. Iruma is the captain I’d feel most confident serving under. Maybe a tie with Captain Muramatsu from Ultraman, but I get to know far more about Iruma as a person. 

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Ultraman Ep. 11: The Rascal From Outer Space

~ Ryan Harvey

Directed by Kazuho Mitsuta. Written by Tatsuo Miyata. Airdate Sep. 25, 1966.

The first time I watched Ultraman all the way through, “The Rascal From Outer Space” rewired my brain. The episode was so bonkers, so bizarre, so absurdly comic, I couldn’t believe what I was watching. Since I hadn’t seen any other Ultra shows — they were unavailable in North America at the time — I didn’t know this comic nuttiness was a series tradition. I hadn’t yet watched Ultra Q episodes like “Grow Up! Little Turtle” and “Kanegon’s Cocoon,” nor was I aware of the lunatic world of Ultraman Taro. Still, I was certain I was discovering a key part of the franchise, something essential about it, with “The Rascal From Outer Space.”

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Ultra Q Ep. 12: I Saw a Bird

~ Ryan Harvey

Directed by Harunosuke Nakagawa. Written by Masahiro Yamada. Airdate March 20, 1966.

The simplistic title may sound like a children’s story. Which it is. But it’s not an ironic fairy tale like the hyper-looney “Grow Up! Little Turtle.” “I Saw a Bird” is a giant monster tale from the perspective of a child. The kaiju element is downplayed in favor of a bittersweet fable about a lonely boy and his bird. 

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Ultraseven Ep. 7: Space Prisoner 303

~ Ryan Harvey
Alien Quraso about to kill a gas station attendant in Ultraseven episode "Space Prisoner 303.)

Directed by Toshitsugu Suzuki. Written by Tetsuo Kinjo. Airdate Nov. 12, 1967.

Another hostile alien has come to Earth. Not to conquer, just to kill. An alien murderer from an otherwise peaceful race has escaped from a prison on its homeworld. Now it’s landed on Earth to guzzle gasoline, strangle a few innocent people, and find another escape route before it’s caught.

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Ultraman Ep. 10: The Mysterious Dinosaur Base

~ Ryan Harvey
Godzilla vs. Ultraman in The Mysterious Dinosaur Base

Directed by Kazuho Mitsuta. Written by Tetsuo Kinjo. Airdate Sep. 18, 1966.

Ultraman vs. Godzilla! That’s it, that’s the review. Or as much a review as most people will need. 

Technically, Ultraman’s kaiju foe isn’t Godzilla. It’s a new monster named Jirahs (sometimes spelled Jirass). But … come on, it’s just a Toho Godzilla costume with a smattering of green paint and a neck frill. The frill eventually gets ripped off, making it even clearer you’re watching Ultraman vs. Godzilla. Using the Godzilla costume was a cost-saving maneuver, but nobody is going to complain about watching these titans of tokusatsu cross IP boundaries for a deathmatch.

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